Are you still following through with this suggestion?
Honestly I hadn't planned on writing anything on it. I only have so much time, I'm afraid.
Any chance of someone at Disney saving this film:
en.wikipedia.org
Unless the company wants it to look more dated than the original Tron, I don't think there's a good chance of that. Maybe if they were to give it the Brave Little Toaster treatment and turn it into a 2D-animated film, then it could work. But if it were to stay as a CGI feature, I think it would be terrible.
Hadn't heard of it. Will look into it.
Thee is something to consider here that hasn't been brought I think:
The 1998 Sonny Bono Act that Disney had a massive part in.
I don't know what Jim Henson would think or if he would be alive by that point, but I think he'd find the extension of it for the sake of Mickey Mouse to be ridiculous. I imagine him or someone working with him would propose Disney protect their property rights through trademark instead to avoid the lobbying needed
Yea, that's an interesting one. Still a ways out I believe, so time to think about it.
Any chance that Disney's slated adaptation of Phillip K Dick's
King of the Elves will be made, let alone earlier?
I'll look into it.
I have an idea, the Star Wars Prequels but in 1989 since Howard the Duck ain't occupying George Lucas' time. I nominate Eric Stoltz as Anakin and Peter Capaldi as Obi-Wan. (Jon Pertwee can be Qui-Gon if the character hasn't been butterflied.)
That might keep him busy enough to keep him from remastering the original trilogy so I'm in total support of this, but one condition, keep Kathleen Kenney away from this. Also I would love to see Toshiro Mifune as Qui-Gon Jinn.
To me, I believe Kathleen to be a decent choice for an apprentice for Brillstein so long as she steers clear of being tied to a specific franchise like how she was shackled to Star Wars (and believe me, the brand certainly suffered for it on top of Kathy's showbiz career).
I'm kicking around ideas on the prequels. There's a lot to consider there.
And before things spiral into a Kennedy-bash (I figured this would happen here eventually!), FWIW Kennedy is an incredibly skilled and talented producer (seriously, look at her CV: she was behind half of your favorite 80s and 90s movies; Bernie could have learned from her, frankly) who was hand picked by Lucas for a reason, and she honestly gets unfairly singled out for the Sequel trilogy. And yes, I think that her gender plays a role in why she gets singled out by the most toxic and gatekeeping parts of the fandom in particular. I find it interesting that Kennedy
didn't lose her position when CEO Bob Iger
did despite how many times the self-appointed "experts in the fandom" have prematurely predicted Kennedy's sacking. It makes me wonder just how much of the decision making was coming from the top, particularly on ROS which was clearly made as a reaction to fan anger rather than made on any artistic merit in its own right.
I'm certainly not going to claim that she's without fault here. She, possibly under instruction from above, gave the directors just enough reign to hang themselves and made the crucial (but understandable) mistake of adopting the MCU production model, which doesn't really work with an "event-driven" franchise like SW with a single, central storyline. But there's plenty of blame to spread around. Both JJ and Johnson made questionable choices in their individual movies and clearly never really coordinated a transition plan beyond "so, how does your film end, exactly?" Some better foreshadowing on JJ's part or a less unnecessarily shocking transition on RJ's part (Luke throws his old lightsaber deliberately aside in "rhyme" with how he tossed it aside in RotJ?) may have softened the blow for the fandom and star alike. I'm also fairly sure that JJ had no idea who Rey's parents were either (just another of his empty mystery boxes) and then got upset when no one else did either (clearly the "mystery" was gratuitous rather than a critical part of her story, or there would have been a definitive answer from the start, making the eventual reveal a meaningful moment, not just an empty ESB rhyme).
And yes, as I've said elsewhere, we the fandom deserve a huge share of the blame there too. Every decision made in the ST, including Lucas selling the franchise to begin with, was driven by fan backlash.
[/rant] (Sorry!)
With regards to Sean Young, apparently, she had a habit of not getting along with her co-stars or others on some of the films she worked on (and take it with a grain of salt nowadays): On The Boost, for example, relations between her and James Woods (who she had been in a relationship with, and who's hardly perfect himself, to put it mildly (1)) were so bad that, when they filmed a scene where he was supposed to slap her, he did it for real.
And don't forget about her going to a hotel where director Tim Burton was staying at in full Catwoman costume, trying to convince him to cast her in that role in Batman Returns...
I also hope Casey Kasem makes an appearance; I was just listening to American Top 40 on the radio (syndicated, of course)...
(1) Just Google James Woods and Amber Tamblyn (who I hope makes an appearance in TTL)...
Yea, she has a reputation. Deserved? Who knows? Katie Bar Zedor clearly has her opinions.
Because of the changes with Worf, Yar, and Miles would be carried over to DS9 if all 3 cast members are transferred there. Not to mention if JMS becomes showrunner of DS9, that is a big deal that might change the entire premise or core plot of the story entirely. A JMS run DS9 would be very interesting indeed, although removing memorable characters like G'Kar, Londo, Vir, Delenn, and so many others is going to be
painful. Like really painful.
Voyager might be unscathed since it's less connected to DS9/TNG, although I think if Geekhis throws out that "Native" consultant, that would already be a huge improvement to the show.
I'm on board with K'Ehleyr becoming the name of their child, since it's a nod towards OTL and it fits. I wonder if she'll face similar issues to B'Elanna Torres in future ST stories due to her mixed Klingon-Human blood.
I've been thinking about what sort of castle would fit in Disneyland Valencia and the Alcazar of Segovia seems like a huge no-brainer.
View attachment 625136
It would be a huge troll if Jim Henson and the I-Werks deliberately implements historical info, culture,and artwork from Al-Andalus in Disneyland Valencia somewhere, although I think they could get away with that under the more left-wing administration after Franco, who might be more sympathetic to Arabist/Islamic content.
Welcome aboard,
@Denliner, and thank you. My plans for what comes after TNG will be "interesting". I may take you up on the Segovia castle suggestion. The fact that I coincidentally like Andres Segovia probably helps there...
Here's hoping that when they build their second theme park in California they either use the former Disneyland parking lot better or they seriously pursue the Long Beach option. While I understand that the DisneySea/Port Disney concept as conceived in OTL would be butterflied I still think that Long Beach could be a good place for a theme park. So would Hong Kong. Versions of projects undertaken in OTL could work better without Disney being assholes to the French and consequently shooting themselves in the foot. Wait. No. That's not strong enough. EuroDisney's failure was a result of a cavalcade of bad choices. So it's more like firing the full clip into your foot, reloading, and firing off the entire fresh clip.
Stay tuned there. The "groundwork" will be coming fairly soon.
Fair point, and I also realize that the child would be extremely young by the time of DS9, like a baby. Still, if any future entries of the franchise use them, I do think writers would still tap into the angst of having mixed Klingon-Human ancestry like Torres.
Speaking of Bio-Force....I think Saban/Disney would diverge from OTL Saban's decision to reuse the Zyuranger costumes, but instead transition into using each Sentai season's costumes, for the same reasons that Pyro listed months ago. However, that doesn't mean that Saban/Disney could just stop reusing the same cast and villains, like what they did with Rita/Zedd. I think a scenario where the cast fully switches to newer equipment as upgrades (Like switching from Bioman to Changeman) while they can always reuse the same villains, main/supporting cast, and setting seems like a viable option, at least until it gets old. It'd be like MMP3 to Zeo but far earlier and the villains would be alt-Rita/Zedd instead of the Machine Empire.
In my opinion, all of the Sentai stuff from 1984-1987 (Bioman, Changeman, Flashman, and even Maskman) could be seen as continuations of one large Bio-Force saga like Mighty Morphin was, although seeing the alt Power Rangers as just separate stories is also a valid path that they could make as well.
I'm just glad that alt-Sentai/Power Rangers even exists at all.
IIRC, Maskman would be the next Bio-Force adaptation in 1988/1989, which is amazing because it's the first Sentai to have 5 combining pieces like with the original Daizyujin/Megazord. It would truly be a new watershed moment in Bio-Force/Power Rangers history.
oh yess....that's the good stuff
I hadn't planned on going into any detail on BioForce, but if anyone wanted to ghost-write PM me. I'm always open to "guest posts".